Once
upon a time two reptiles sat by the river. One was a lizard which could open
great frills around its head to appear much larger than it was. The other was a
chameleon, constantly changing its colours to match its surroundings.
So
might have opened Rudyard Kipling, the poet of empire, who had quite a fondness
for animal fables. Instead, when he made his contribution to the legend of
the riverbanks ahead in 1922, his preferred imagery was less animal, more animist:
And
still when Mob or Monarch lays
Too
rude a hand on English ways
The
whisper wakes, the shudder plays
Across the reeds at Runnymede.
To
which we might reply: well go on then?
Runnymede. Lots of mud, but no shudder. Was Kipling’s idea of English ways the same as the Thames’s? |
Seventy-five
years later, in 1997, I arrived to find an England rapt in triumphalist swagger. The
Soviet Union had fallen. A fresh-faced Tony Blair had just swept to power. They
had won. Their stories had won. They had
won history.
To
any suggestion that this country had serious problems, let alone that it was
not as free and democratic as it claimed to be, the standard response was
mocking hostility. The scorn for dissent and difference here alienated me even
before its deeper structural cruelties, especially of gender, made that
alienation catastrophic over the years to follow.
And
then that history burst from the grave and clamped its bloodied hands round
their necks on 9/11. Real history had kept going, indifferent to their myths,
and in their reverie it totally blindsided them. It then unleased two of the
most distressing episodes in England’s modern history, and these, at last, have
shaken the general population’s confidence to its roots.
One
was the invasion of Iraq in 2003. No-one who lived through that here will have
forgotten the ugliness it brought down on the English social atmosphere (which
nevertheless pales before what it did to Iraqis). The other is the unfinished Brexit-austerity-racism
nightmare of the 2010s, whose most potent symbol is the blistering eruption of Grenfell
Tower, a funeral pyre of something which, for its absence, the English
psyche now unravels. The least that can be said coming out of these bloodbaths is
that the gulf between England’s self-congratulatory myth of democracy and human
rights on the one hand, and its inveterate tendencies to casual and mean-spirited
violence on the other, appears to trouble far more of its people than
it did at the turn of the millennium.
North from Staines Bridge to a land of legends. How much has this view changed in those twenty years? How much in eight hundred? |
I
didn’t have to wait twenty years for that. In 1997 my instruction in the gap between myth and reality was immediate, traumatic,
and lasting. Entering an English boys’ school brought me in contact not with
accountable leaders but a bristling-moustached, foam-at-the-mouth adult
authoritarianism the likes of whose bellowing arrogance I had never encountered, even in a far less likely bastion of democracy, colonial
Hong Kong. And the pupils, far from being a courteous and enlightened
citizenry that knew its way round a social contract, exhibited instead a barbarism
that was hysterical, violent and sometimes plain racist, eagerly following
their scripts in that divine-right-of-adults diorama. If it was all to meld
into a single message, it would have been this: We are a democracy, so STFU.
In that shock and turmoil one image has never left my memory. The back wall of the history classroom, packed floor to ceiling with
parchments. Each was brown with a red wax seal, and though the handwriting varied,
each’s text began, in huge capital letters, with the words: ‘JOHN, BY THE GRACE
OF GOD, KING OF ENGLAND…’ before the text size diminished to illegibility.
English
history was a morass to me. I had had next to no exposure to it and its
contents were totally foreign. Kings with weird numbers after their names
instead of Chris Patten; cryptic symbols everywhere like lions (but they don’t
have any?) and fleur-de-lis (but they don’t like France?); important
people named after places they had nothing to do with and weren’t pronounced
how they were spelt, and endless random wars for no sensible reason. I went by
the English name John then – were those suspicious documents directed at me?
What would I want with the grace of their god? My history teacher’s name was
also John. Was this about plastering his authority all over the wall, revering
him as no less than their king?
That
wall of charters, unexplained and ever-present, loomed over two years of
English history lessons which, for lack of foundation and context, left me lost
at sea. It was only much later that I pieced together what it was about. It was
what they had studied the previous year, which I had missed on the other side
of the world. It was the foundation. And the foundation revolved around a
single document, one they deemed so important that they got each boy to
re-create his own, dunk it in some yellowy-brown chemical to
make it look historic, then hoist it high with the others so as to dominate the
visual experience of the history classroom through all the centuries of
material that followed.
Eventually
I managed to put a name to it. Magna Carta. In English
imagination, possibly the greatest story of all – the key word, of course,
being imagination.
The Magna Carta Memorial at Runnymede. |
There
are facts, and there is myth. Both matter in history. In this particular
history, the myth has mattered a hundred times more.
But charters are made of
paper, and paper, real or mythic, has two sides. The English’s claims to democracy
and rule of law are writ on the sunlit side. How often do they look on the
shadowed side? They do not – because it screams. It screams a racial
exceptionalism which wetted the chops of undying English authoritarianism and
drove it on a genocidal rampage across the Earth. They do not look, because it
still burns their eyes.
Oh
yes. Today’s journey through the meadows where Magna Carta was verbally agreed
(not signed – signatures as a binding instrument came much later) shall not be
the same pilgrimage made by a neverending crocodile of approved storytellers,
excited lawyers and awestruck schoolchildren. My path is the dark path and here
it leads through the underworld. Come, if you dare face a reckoning with the
Runnymede Horror.
Staines Bridge in the light of an especially cold winter morning. Staines’s significance as a ford town as explored in the previous section will be of continued importance. |
Oh, and there is also a great big fortress called Windsor Castle. That might be important. |
Start:
Staines Bridge (nearest station: Staines)
End:
Windsor Bridge (nearest stations: Windsor and Eton Riverside; Windsor and
Eton Central)
Length:
12km/7.5 miles
Location:
Surrey – Borough of Runnymede; Berkshire – Royal Borough of Windsor and
Maidenhead
Topics:
The Magna Carta – history and mythology in Runnymede and Dark
Runnymede; Old Windsor, Datchet, Windsor Castle, the Charter of the Forest